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Showing all articles with keyword(s): studio
Studio Photography: Shooting the $2million image
How-to's

Studio Photography: Shooting the $2million image

Martin Turner (Martin Turner)

This is the first in an eight part series that looks at studio photography. I’m going to look at Concept, Working With People, Planning, Composition, Lighting, Shooting and Post-processing. Read more...

Personal Projects
How-to's

Personal Projects

User

Doesn't matter if you've just began with photography, or if you are more serious, defining a project in your mind before even picking up the camera will help you focus on what to shoot. In this article, Josh Larkin talks about how to choose and plan your own personal project and even lists five of the most common project themes. Read more...

Self Portraits
How-to's

Self Portraits

User

For years I've had a standard response to the question "Can I take your photo." It's essentially, "Nope, I'm a photographer so I like to stay on the side of the lens that I like better!" And while I do still try my best to stay out of other people's photographs, I've recently come to appreciate the self portrait. The thing of it is, making self portraits is a great exercise in creativity that offers us, as photographers, lots of learning opportunities. Read more...

Shooting at Twilight
How-to's

Shooting at Twilight

User

Your eyes can still see perfectly, but your camera can't keep up with you. Shooting at twilight can be challenging, but if done properly, you will be rewarded with beautiful sky colors in the background. How to work with lighting to get the right exposure for your photographs? Read more...

Balancing Ambient Light with Flash
How-to's

Balancing Ambient Light with Flash

User

I've got an understanding of apparent light size. I know what happens when I change the distance between my light source, my subject and my background. And I've moved through diffuse and direct reflections. Now it's time to get into some of the practical aspects of flash photography, and there's no place better to start than balancing ambient light with flash. Read more...

Specular Highlight Control
How-to's

Specular Highlight Control

User

In my last post I started looking more closely at diffuse and direct reflections and how both reveal the form and surface texture of a subject in a photograph. Through my exercises, I was able to exert better control over the placement and look of direct reflections, or specular highlights, and now I want to apply that knowledge to a subject where this has a dramatic impact on the end result: metal. Read more...

Reflections
How-to's

Reflections

User

In my quest to better my own lighting techniques by going back and working through lessons in various books and on websites, I've looked at apparent light size and the inverse square law. Both of these topics and exercises gave me a better handle on the three aspects of light as it relates to a subject: the lit portion, the shadow portion and the transition areas that fall in between. Read more...

Gary Fong Lightsphere Flash Diffusers
How-to's Accessories Reviews

Gary Fong Lightsphere Flash Diffusers

J. Ramon Palacios (jrp)

We are often faced with complex lighting situations when we want to balance the light coming in from several sources into a scene and our subjects. Weddings and social events at noon time in large rooms, or churches, with large windows can become a nightmare with its mix of harsh light and strong shadows. After using for long a white card with a rubber, various solutions came to market and I have successively used most of them. Read more...

Control Over Your Lights With Distance
How-to's

Control Over Your Lights With Distance

User

Learning how to light and photograph a subject in comparison to the distance. Read more...

Apparently, size does matter...
How-to's

Apparently, size does matter...

User

Despite what you may have heard, size matters. Of course, I'm talking about the size of your light source here, which is what you were thinking, right? Portrait photographers often use large modifiers -- think 50" softboxes, 43" umbrellas, etc. -- to soften the light hitting the subject. And that's what we want most of the time (film noir shooters excluded), nice soft light that transitions slowly from highlights to shadows. Read more...

Learning to Light (Series 1 of 6)
How-to's

Learning to Light (Series 1 of 6)

User

Going from making horrific mugshots, at best usable for driving licenses, to beautifully lit photographs. Read more...

Bookshelf 9: Lighting and Photographic Studio Books
Books

Bookshelf 9: Lighting and Photographic Studio Books

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Here you find various recommended Lighting and Photographic Studio books. Read more...

What Filter System?
How-to's Accessories Reviews

What Filter System?

J. Ramon Palacios (jrp)

There are two basic filter types or systems to choose from, the screw-in and the slide-in types. The first are circular integrated filters with a mounting ring that screws into the front thread of a lens, and with a thread on the other end to screw other filter(s) or attach a hood. The second consists of a threaded adapter to screw into the front of a lens and a filter holder with one or several slots, where square or quadrangular optical resin filters slide-in. Read more...

Flash Guide - The Teddy Bears Test
How-to's

Flash Guide - The Teddy Bears Test

J. Ramon Palacios (jrp)

Using the Nikon flash system, both indoors and outdoors, with lots of sample images. Read more...

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