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Nikonians Articles

Resources to save time and money, reduce the pain and speed up the learning curve.

Showing all articles with keyword(s): basics
Release your inner artist: Break the
How-to's

Release your inner artist: Break the "P" barrier

Jon Nadelberg (jnadelberg)

Your new camera has plenty of bells and whistles and by now you already know it can take good pictures in full automatic mode. If that is all you need, continue on and be happy. But, if you’re looking to engage your creative mind by stepping out of the full-auto realm, this article will help you navigate the maze of confusing numbers and camera modes and priorities. Read more...

Thousand shades of grey: The beauty of the black and white image
How-to's

Thousand shades of grey: The beauty of the black and white image

Jan Stimel (photocyan)

The process of how to convert your color images to beautiful black & white imagery is a fascinating journey to the roots of photography, its history and technique. Improve the look of your photographs and get inspired by this easy how-to. Read more...

Bokeh Revisited - The quality of out of focus
How-to's

Bokeh Revisited - The quality of out of focus

J. Ramon Palacios (jrp)

Nikonians co-founder, J. Ramon Palacios (jrp), explains to us the history and technical aspects of boke, a technique used to render background blurs, which can be seen mostly in portraiture or close-ups. Look at his examples and tips and remind yourself, what makes bokeh beautiful. Read more...

What Image Format is Best for My Photography?
How-to's

What Image Format is Best for My Photography?

Darrell Young (DigitalDarrell)

One of the most asked questions by new users of Nikon DSLR cameras is "Which image format should I use?" Three most common formats are JPEG, TIFF, or NEF (RAW). By the end of this read, you'll know which you want to use! Read more...

Cameras vs. Lenses–Which is More Important Long Term?
Camera Reviews Lens Reviews

Cameras vs. Lenses–Which is More Important Long Term?

Darrell Young (DigitalDarrell)

There comes a time, when we ask ourselves, what has more value, or is of more importance – the camera itself, or the lenses? Both of which, you prize equally and nurture as if it were a baby; making sure not a scratch to that precious framework or accidental fall occurs. Darrell Young, an experienced photographer, tells us his point of view. Read more...

FOV Tables: Field-of-view of lenses by focal length
Camera Reviews Lens Reviews

FOV Tables: Field-of-view of lenses by focal length

Bill Claff (bclaff)

The values for Field of View (FOV) come up frequently enough at the forums that Bill Claff thought a list might be helpful for quick reference. With his handy tables you will never feel confused again. Read more...

A Guide to DOF and Hyperfocal Distance - Tables & Calculator
How-to's

A Guide to DOF and Hyperfocal Distance - Tables & Calculator

J. Ramon Palacios (jrp)

You may have wondered "How do pros make those wonderful landscapes where everything seems to be in focus?" Well, it is not merely by closing down the aperture of superb wide angle lenses. They maximize DOF (depth of field), the region of acceptable sharpness, by focusing at the hyperfocal distance. A simple function of lens focal length, aperture and the diameter of the Circle of Confusion. Read more...

Bookshelf 17: The Basics bare minimum bookshelf
Books

Bookshelf 17: The Basics bare minimum bookshelf

Bo Stahlbrandt (bgs)

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Here you find various recommended photography books to make up the basics bare minimum bookshelf. Read more...

Color management basics: Additive and subtractive colors
How-to's

Color management basics: Additive and subtractive colors

Hal Becker (HBB)

I prepared these charts as an aid to a few people I am tutoring in basic color management concepts. This is not meant to be a rigorous treatment of color theory or management, simply an introduction for those interested. Read more...

What’s the Best ISO Setting? Native, Pushed or Auto?
How-to's

What’s the Best ISO Setting? Native, Pushed or Auto?

User

The ability to dial in ISO sensitivities in the five- to six-figure range in 1/3-stop increments is pretty heady stuff. With the exception of some of the highest ISO ratings, the image quality of the resulting imagery remains surprisingly decent and is equal to or better than the image quality of the fastest film stocks, which speed-wise were nowhere near the ISO sensitivity levels we can squeeze out of our (H)DSLRs. Read more...

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