| D |
|
| Data |
Factual
piece of information (as measurements or statistics) used as a
basis for reasoning, discussion, or calculation. Information output
by a sensing device or organ, it includes both useful and irrelevant
or redundant pieces of information that must be processed to be
meaningful in a decision making process. Information in numerical
form that can be digitally transmitted and/or processed. "Don't
confuse me with the data, give me information to make decisions". |
| Daylight |
Ambient
light with a color temperature of 5500K. Direct sunlight on a bright
day, at noon time, combined with the reflected light from the sky,
produce natural ambient light. |
| Daylight-Type
film |
A
film designed to render a natural, correct color balance when exposed
in daylight. |
| D
chip |
Relays
distance information from a Nikkor or Nikon-D-compatible lens into
a Nikon camera body that features 3D Color Matrix Metering, 3D Matrix
Metering, and 3D Multi-Sensor Balanced Fill-Flash, body which in
turns relays it -after processing it with metering data- to a Nikon
speedlight for ultra-precise fill-flash. |
| DC
(Defocus Control) |
Unique
ability of a Nikkor lens to alter the shape of its out of focus
areas, both foreground and background via aberration management,
like in the Nikkor 105mm f/2.8D DC AF and 135mm f/2D DC AF. This
feature creates splendid boke.
When
the DC control ring is set to 0, the lens functions as a non-DC
lens. |
| Definition |
Sharpness
of an image (as seen by the clarity of detail) formed by an optical
system. |
| D-Type
Lenses |
Designation
used by Nikon Corporation to identify a Nikkor lens that supplies
distance to subject information to a Nikon AF camera, most useful
for ultra-precise TTL and Balanced TTL flash. AF lenses with a D
chip. These Nikkor lenses were introduced in 1992. Among the first
were the 35-70mm f/2.8D AF and 80-200mm f/2.8D ED AF. Nikkor G-Type
lenses are D-Type lenses too. |
| Darkcloth |
Dark
material used to cover the photographer's head and the ground-glass-viewing
screen on large format cameras. |
| Darkroom |
"Dark,"
light-tight space for processing and printing photographic materials. |
| Darkslide |
Thin,
flat piece of metal or plastic, which protects unprocessed film
from light exposure. |
| Dedicated
Flash |
Electronic
flash designed to work with the meter and exposure system of a specific
camera. |
| Density |
The
amount or "density" of silver on an exposed and processed piece
of film. |
| Depth
of Field (DOF) |
The
distance between the farthest and nearest points which are in
focus. This can also be identified as the zone of acceptable sharpness
in front of and behind the subject, to which the lens is focused
on. DOF varies according to numerous factors such as lens focal
length, aperture, shooting distance, etc. |
| Depth
of Field Preview Button |
When
actioned, it closes down the aperture of an auto lens to that of
the selected exposure, allowing (a darkened) view of the depth of
field through the viewfinder. |
| Developer |
Chemical
that converts silver on film to visible, black image. |
| Diaphragm |
Another
word for aperture. Can also be a type of shutter. Refer to Leaf
Shutter. |
| Diffraction |
Bounced
light. Light "refracts" off opaque materials softening and blurring
an image. |
| Diffuser |
Material
that softens and "diffuses" light in order to soften the edges in
an image. |
| Digital |
A
device or system which can be stored and processed, where the use
and representation of on/off impulses translates into 0/1 data called
bits. |
| Digital
Camera |
A
camera that captures an image through the lens but instead of on
film, it does it on an an electronic image sensor, a CCD (Charged
Coupled Device); then temporarily transferred into a FlashCard™
for eventual download into a computer. |
| Digitization |
Transformation
of analog data into digital data for computer storage and processing. |
| DIN |
Stands
for Deutsches Institut für Normung, the German Institute
for Standardization. Founded in 1917, since 1975 it has been recognized
by the German government as the national standards body and represents
German interests at international and European standards circles.
DIN is a logarithmic expression while ASA is an arithmetic one.
An ISO 100 film has a DIN rating of 21; an ISO 200 film has a DIN
rating of 24. The DIN number is equal to 10 times log ISO + 1 and
the ISO number is equal to antilog of (DIN - 1 divided by 10), e.g.
for ISO 200, log 200 equals 2.3, times 10 = 23, 23 + 1 = 24 DIN |
| Diopter |
An
optical unit of measure of the refractive power of a lens, the reciprocal
of its focal length. |
| Disc |
An
optical storage device. e.g. a CD-ROM. |
| Disk |
A
magnetic storage device. e.g. a computer hard disk |
| Dispersion |
Where
light rays deviate by different wavelengths, causing a light spectrum,
or rainbow. |
| Distance
Information |
As
provided by the D chip on D-type lenses, relayed to the camera for
processing for ultra-precise speedlight exposures on AF Nikon auto
bodies. |
| Distortion |
Where
straight lines are not rendered perfectly straight in a photograph.
Two types of distortion exist: barrel and pincushion. |
| Dodging |
Selectively lightening part of a photo, either on an enlarger for
traditional film printing or with an image editing program. The
opposite to "Burning". |
| Download |
Or
downloading, the process of transferring computer data from one
location to another, as examples: files from Internet into a computer,
or digital images from the camera's memory card into a computer.
|
| DPI |
Dots
per Inch. As applicable to the resolution of a printer, the number
of dots it can print per inch. Erroneously it is also applied to
scanners and digital cameras instead of PPI (Pixels Per Inch), as
if a dot would be equivalent to a pixel. The higher the number,
the higher the resolution. |
| DX
Coding |
Type
of bar coding on film cartridges used to electronically communicate
film speed to a camera with reading contacts for it. |
| DX
lenses |
Introduced
in 2003. Nikkor G, slightly lighter and smaller lenses, designed
to fill the smaller frame of the DX (APS-C) Format sensor size used
in the Nikon Digital series SLR cameras. The first was the AF-S
DX 12-24mm f/4G IF-ED. Ideal for landscape photographers. |
| Dynamic
AF |
Nikon
advanced feature mode, intended to be used with Continuous (C) Servo
AF and Continuous film advance for tracking moving subjects in advanced
camera models. As soon as you half depress the shutter release button
the AF locks onto the subject within the primary (pre-selected)
focusing area. Even if the subject moves out of the selected focusing
area, the AF will continue to lock on it as the nearest focusing
area takes over since the camera has been not just focusing but
also computing the subject's speed and motion direction. Even if
the subject gets obscured by some other object, the F5 will not
loose track as it is anticipating the subject's location. This feature
has been rated to follow up to 20mm per second across the film plane,
the equivalent of this with a 300mm lens is a subject moving at
300 kmph (186.5 mph) up to a distance of approximately 20 meters
(61 feet). As Gunther Richter wrote in the Magic Lantern Guide for
the F5: "Now, try that with any other camera!" |
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|
| E |
|
| ED
(Extra Low Dispersion) Glass |
A
glass developed and trademarked by Nikon Corporation, used in
telephoto lenses
to offer superior sharpness and color correction by minimizing
chromatic aberration. These lenses are resistant to temperature
changes, preventing focus shift problems in lenses that use calcium
fluorite crystal elements. Fluorite cracks easily and is sensitive
to temperature changes that can adversely affect focusing by altering
the lens’ refractive index. Super
ED glass is a new type, used together with ED glass in some lenses
achieves an even higher degree of freedom from chromatic aberration.
|
| ED
lens |
A
Nikkor lens having at least one ED element in its optical formula,
improving sharpness. |
| Emulsion |
The
light sensitive, chemically active surface on photographic film
and paper. |
| Enlargement |
A
photographic print made by "enlarging" an image from a piece of
film. |
| EV |
Exposure
Value. A number representing equivalent shutter speeds and lens
apertures combinations for the same exposure, given a scene brightness.
At ISO 100, 0 represents (f/1.0 at 1 sec); 1 = (f/1.4 at 1 sec)
or (f/1.0 at 1/2 sec); 2 = (f/2.0 at 1 sec) or (f/1.4 at 1/2 sec)
or (f/1.0 at 1/4 sec) and so on. For a fixed aperture, as the EV
increases 1, the shutter speed increases one step; for fixed shutters
speeds, as the EV increases 1, aperture decreases one f/stop. Long
exposures are for (or have) negative EV. A light meter sensitivity
is usually defined as having the capacity to read an EV range for
a given ISO speed. |
| EXIF |
Exchangeable Image File: the file format used by most digital cameras.
For example, when a typical camera is set to record a JPEG, it’s
actually recording an EXIF file that uses JPEG compression to compress
the photo data within the file. |
| Exposure |
The
amount of light that reaches a film frame or a digital sensor
or the combination of f-stop (light intensity) and shutter speed
(duration) that controls the amount of light reaching the film
or sensor. Also used to describe an exposed piece of film. |
| Exposure
Compensation |
Deliberately
changing the exposure settings recommended by a light meter in order
to obtain a different exposure to better fit personal preferences,
create special effects or meet special requirements. |
| Exposure
Factor |
A
multiplier for the exposure increase required when the light reaching
the film is decreased from either increasing the distance between
the lens and the film (as with extension tubes and bellows) or when
a filter is attached. Users with cameras with TTL meters need not
to be concerned about correction for filters. |
| Extension
Rings |
Rings
used to extend the distance between lens and film/sensor for macro
or close-up work (One or several for various magnification ratios).
Current Nikon extension rings are the PK11A (8mm), PK12A (14mm),
PK13A (27.5mm). Sometimes also called Extension Tubes. |
| External
Flash |
A supplementary flash unit (speedlight) that connects to the camera
via the hotshoe or a cable, or is triggered by the light from the
camera’s internal built-in flash. For fun, creative effects and
better lighting, usually with longer reach than a built-in unit.
|
| Eyepiece
Correction Lens |
Attaches
to the viewfinder eyepiece to correct for eyesight deficiencies.
High-end cameras have a built-in diopter correction.
|
| Eyepiece
magnifier |
An
optical device that attaches to the eyepiece for increased magnification;
useful for close-up or macro work and/or when manual focusing for
fine detail is chosen. |
| Eyepiece
shutter |
A
blind that blocks the eyepiece to prevent light to come into the
viewfinder, altering correct measurements of the light meter when
using the self-timer or at any time when the photographer is not
there to block such light. |
|
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| F |
|
| Fast
Film |
A
film with high sensitivity to light, needing less light for proper
exposure. Recommended for action and low-light light photography.
Term normally applied to films with ISO 400 and higher. |
| Fast
Lens |
A
lens with a maximum wide aperture (f/1.4, f/2, f/2.8) allowing it
to gather more light than a "slow lens" which has a less
wide maximum aperture (f/3.5, f/4 and smaller). |
| File
Format |
A
program or data file type such as JPEG, PSD, TIFF, PDF, PICT, EPS |
| Film |
Photosensitive
material used in a camera to record an image. Made from a thin,
transparent base coated with light sensitive chemicals. |
| Film/Frame
Advance Mode |
Found
in cameras with a built-in motor drive. It is Single-frame when
a single frame is advanced, one at the time, each time the shutter
is released. It is Continuous-framing when the film/sensor frame
continuously advances as long as the shutter button is depressed,
taking pictures until the button is not any longer depressed or
the film roll reaches its end or the digital camera buffer is full,
or the memory card is full. |
| Fill-Flash |
Flash
that is used to supplement ambient light to fill shadow areas in
a subject with light, thereby reducing contrast. Technique also
known as “flash fill” and “fill-in flash.” To make it look natural,
Nikon offers Automatic Balanced Fill-Flash, where ambient light
and flash light are in complete balance. |
| Filter |
Transparent
lens attachment used to modify the light coming into a lens, to
change the color, or other characteristics of an image. They are
used both on the camera and in the darkroom. |
| Filter
Adapter Ring |
Used
to accommodate larger diameter filters on a smaller diameter lens.
Also known as step-up rings. Useful to reduce the number of filter
sets needed when using different diameter lenses. |
| FireWire® |
Fast
data transfer bus developed by Apple, capable of transmitting data
at 400Mbps, also known as IEEE 1394. |
| Fisheye
Lens |
Super
wide angle lens. Angle of view can approach 180 degrees. Nearly
infinite depth-of-field. |
| Fixed
Focal Length |
A
camera with a non-removable, non-zoom lens with unchangeable focal
length.
A prime lens. |
| Flare |
Reflected
light; from lens elements, sun, metal, etc. Appears as non-uniform
haze or bright spots on the film or digital frame, often taking
the shape of the aperture, generally caused from shooting towards
the light source. The use of uncoated filters makes a lens more
prone to flare; often results in an overall reduction of image
contrast. The always-on use of a lens shade is also recommended. |
| Flash |
Artificial
light source. Usually camera-mounted speedlights (like the SB-28,
SB-80DX) but also larger studio models called strobes. |
| Flash
Bracketing |
Feature
available in TTL Auto Flash shooting, allowing for bracketed exposures
varying flash output without changing aperture nor shutter speed. |
| Flash
Card |
Memory
device capable of holding data after the system is turned off. |
| Flash
Compensation |
A
control on a speedlight and a method to reduce or augment the flash
output from a flash to lighten or darken the flash effect. |
| Flash
Duration |
The
duration of a flash burst from a speedlight, used to vary flash
output, typically from 1/1000 to 1/20,000 of a second in contemporary
units under auto flash modes. |
| Flash
Range |
The
distance range within which a flash is capable of rendering well
illuminated subjects for proper exposure. The range is a function
of both the maximum and minimum flash output capability of the unit
and the aperture selected, whether automatically or manually, in
turn also affected by the ISO speed in use. |
| Flash
Sync (Synchronization) |
The
shutter speed that corresponds to the proper timing of the flash.
Any faster and the shutter won't be open for the duration of the
flash. Any shorter and subject movement might cause blur. |
| Flexible
Program |
A
function enabling the possible change of equivalent correct exposure
values under Programmed Auto Exposure Mode, to either increase/decrease
shutter speed or aperture. |
| Flood
Lamp |
Photo
lamps used for wider areas. The industry standards are of a color
temperature of around 3400K, and cooler lamps with a temperature
around 3200K. |
| F
Numbers |
Numbers
on the outside of the lens corresponding to the aperture opening.
The larger the number (e.g., f/22 also expressed as F 22), the smaller
the opening of the lens; the smaller the number (e.g., f/2.8) the
larger the opening of the lens. |
| Focal
Length |
The
distance between the back lens element and the focal plane. In
35mm format, lenses with a focal length of approximately 50mm
are called normal (standard), lenses with approximately 35mm or
less are called wide-angle, and lenses with a focal length of
more than approximately 70mm are called telephoto lenses. |
| Focal
Plane |
The
area of the camera where the lens focuses on the film or digital
sensor. |
| Focal
Plane Shutter |
A
shutter placed just off the surface of the focal plane. Typical
shutter type for 35mm SLR cameras. |
| Focal
Point |
The
point on the optical axis where light rays form a sharp image
of a subject. An ideal lens would allow light rays to diverge
from a subject parallel to the optical axis and converge to a
point when they pass through the lens. |
| Focus |
To
move the lens, or film or digital sensor, in relation to the focal
plane in order to record a sharp image on the film/sensor. (Can't
forget Contax where the film actually moves for AF operation versus
the lens.) |
| Focus
Mode |
Three
basic types of focus modes exist for Nikon AF cameras: Single
servo AF (S), Continuous servo AF (C) and Manual AF (M). |
| Focus
Priority |
A
mode where the shutter cannot be released until the subject is in
focus, as when using Single servo AF (S). |
| Focusing
Screen |
Refers
to Ground Glass. Usually on large format cameras, a piece of frosted
glass at the focal plane where the lens projects an image that
can be used for focusing and composition. |
| Focusing
Stage |
A
camera mount that allows it to slide along a rail for critical macro
photography focusing. Like the Nikon PG-2. Use it on a solid tripod. |
| Focus
Tracking |
Advanced
feature through which a camera's microprocessor (computer) analyzes
a moving subject's speed, anticipates the position of the subject
at the exact moment of exposure, and focuses the lens based on
this information. |
| Foreground |
The
area before the subject, in between the camera and the subject. |
| Format |
Can
mean either the size of the camera or the size of the film or
sensor. For camera, sizes there are APS, 35mm, medium and large
format. For film format there is APS, 35mm, 645, 6x6, 6x7, 6x9,
4x5, 5x7, 8x10, etc. In digital photography, DX, 35mm size, 645
and 6x6. |
| f-Number |
A
scale used to express the relative area of the aperture of a lens,
simply the result of dividing the focal length of a lens by the
effective aperture of the lens opening (the apparent size of the
diaphragm seen from the front of the lens). The f-number increases
by the multiple of the square root of 2, or 1.4142, from 1.0, 1.4,
2.8, 4, 5.6, 8, 11 and so on, allowing each to pass half the light
of the aperture below and twice the light of the aperture above
in the scale. |
| FP
High Speed Sync |
Feature
allowing for flash photography at sync speeds higher than the maximum
sync speed under normal flash use. Accomplished by multiple flash
bursts with moderate output, but uniformly on the film or sensor
frame as the shutter travels in front of the frame. Recommended
for action photography where high shutter speeds are required or
for fill-flash images outdoors at wide apertures. |
| Front
Curtain Sync |
Standard
sync mode where the flash fires immediately after the shutter's
front curtain begins its travel across the film/sensor plane. The
opposite is Rear Curtain Sync. |
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| G |
|
| G-type
lenses |
Nikkor
AF-D lenses introduced in 2000. They don't have an aperture ring.
Aperture setting is made through a "Sub-Command Dial"
on modern auto bodies. G lenses were designed to weight less and
be less expensive than their counterparts with an aperture ring.
AF bodies without a "Sub-Command Dial" can use G-type
lenses in Program and Shutter priority modes only. The first was
the 70-300mm f/4-5.6G AF. A G lens, being an AF-D lens, provides
Distance information to the camera body. |
| Gamma |
The
values produced by a monitor from black to white are nonlinear.
If you graph the values, they form a curve, not a straight line.
Gamma defines the slope of that curve at halfway between black and
white. Gamma adjustment compensates for the nonlinear tonal reproduction
of output devices such as monitor tubes. Gray Gamma 1.8 matches
the default grayscale display of Mac OS computers. Gray Gamma 2.2
matches the default grayscale display of Windows computers.
|
| Gamut |
The
total range of colors produced by a device. A color is said to be
"out of gamut" when its position in one device's color
space cannot be directly translated into another device's color
space. For example, the total range of colors that can be reproduced
with ink on coated paper is greater than that for uncoated newsprint,
so the total gamut for uncoated newsprint is said to be smaller
than the gamut for coated stock. A typical CMYK gamut is generally
smaller than a typical RGB gamut. The most appropriate gamut for
Internet display is sRGB. |
| GIF |
CompuServe
Graphics Image Format. A raster-oriented file type for image sharing
across multiple platforms, either 1-bit or 8-bit, rendering from
2 to 256 colors or shades of gray. |
| Gradation |
The
tonal contrast range of an image. Also the range of light and dark
tones in a scene that a film or digital sensor is capable of registering,
and gradual changing of one tint or shade into another in very small
degrees. |
| Grade |
Refers
to the contrast rating of black and white enlargement papers.
Zero is the lowest contrast and 5 is the maximum contrast. |
| Graduated
Filter |
Or
“Gradated” Filter. A filter that is not uniformly dense, but that
gradually changes its density across the filter’s field. A Graduated
neutral density filter is clear from one edge to approximately the
middle of the filter, then gradually increase in density towards
the opposite edge. Colored gradated filters gradually change color
density across the filter’s field. Used to balance the light of
a scene with overly bright highlights. |
| Grain |
Exposed
and processed silver halides on the film emulsion that turn black
and form miniature "grain" that make up the image on
a piece of film. The equivalent efect at high ISO in digital photography
-which is grainless- is "noise". |
| Gray
Scale |
An image made up of varying tones of black and white. Grayscale
images are distinct from black-and-white images, which in the
context of computer imaging are images
with only two colors, black and white; grayscale images have
many shades of gray in between. The 256
gray levels system divides the gray scale into 256 sections with
black at 0 and white at 255. |
| Ground
Glass |
Frosted
glass used as a viewing mechanism in cameras without prisms. The
glass is placed so that the lens projects the image against the
glass for focusing and composition purposes. |
| Guide
Number |
A
number used to describe the output capacity of a flash. Usually
measured using an ISO sensitivity or speed of 100. Divided by
the distance from flash to subject it yields aperture. |
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