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Adobe Digital Photography Workflow - 27
by George Mann

username (George Mann)
Nikonian in Thailand

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27. Adobe Lightroom - Tone Curves and Contrasts

Article 27 of 100

Just to keep things simple and in the spirit of Adobe Lightroom's Five Rules, which state that all a photographer really needs to know is the location of the tools in Adobe Lightroom and then to Enjoy, I have taken one of my recent pictures of the Quoddy West Lighthouse and decided to 'have fun and enjoy the program' just like I was goofing around (or I guess I should say creatively experimenting) in a darkroom in the old days. I like the image for it's simplicity and texture but it lacks something in it's default state, so for the next couple of days I will experiment with it and see what we can come up with.

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The close-up of the Quoddy West Lighthouse with default settings. The default image is very drab but I don't really mind that in an image that I am going to experiment with, flat images tends to work better for me than contrasty images, so let's get started. I am basically just going to move the sliders around in the Tone Curve tool until I get a more pleasing image.

This will not be my final choice but there is already quite a lot of positive change so let's take a look at the numbers.

Tone Brightness - value changes from 50 to 50 (no change)

Tone Contrast - value changes from 50 to 19 (I obviously lowered the contrast)

Tone Curve

Highlights Compression - value changes from 0 to -13

Highlights Luminance - value changes from 0 to 30

Midtones Brightness - value changes from 50 to 50 (no change)

Midtones Contrast - value changes from 50 to 19

Shadows Compression - value changes from -50 to -50 (no change)

Shadows Luminance - value changes from -25 to -25 (no change)


As you can see I basically lowered the contrast and played with the highlights in the highlight and midtone areas until I got a bright and three dimensional look to the bricks both in the highlight and shadow areas.

The Shadows settings did not need any change because shadows are by nature pretty flat.

The trick is getting the highlights on the edges of the bricks to pop out and the sliders in Adobe Lightroom make that pretty easy to do (and redo) until you get it just right.


P.S.: Please do not get upset if your personal experience and views are different from my own. These opinions are mine exclusively and do not reflect the views or policies of any of the manufacturers mentioned in this article...... George Mann

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see also

Digital post processing & workflow forum
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Nikonians Bookshelf 14 - Digital Photography Books
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