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Adobe Digital Workflow - 10
by George Mann

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  Introduction
» Adobe Camera RAW

10. Introduction to Adobe Camera RAW (ACR)

Article 10 of 100

Camera raw files are image files that contain the uncompressed and undoctored information that your digital camera sensor gathers when you make an exposure. The information contained in a camera raw file is much greater than what a JPEG file will contain because it is comprised of a wide range of exposure, white balance, tonal range, color saturation, contrast, and sharpening information. Shooting in RAW file format mode is somewhat equivalent to using a whole bag full of film and exposure variables at the same time.

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To interpret camera raw files you need a software application that can read the specific camera raw files that your camera produces. For most photographers this means that they have two choices, the software that came with their camera (or is available from the camera manufacturer) or a third party camera raw image file processor such as Adobe Camera RAW (Adobe Photoshop CS or Elements 3or4 must be present for Adobe Camera RAW to work).

Since most professional and advanced amateur photographers use Adobe Photoshop CS (or Adobe Photoshop Elements) for their image processing and output, Adobe Camera RAW has quickly become the standard camera raw image processor in the photographic industry.

Some common uses for the Adobe Camera RAW plug-in include:

1. Previewing camera raw images in Bridge using default image settings provided by Camera RAW.

2. Applying settings to camera raw files in Bridge without opening the Camera RAW dialog box.

3. Copying and pasting camera raw settings from one image to another in Bridge.

4. Using the default settings and opening raw image files directly in Photoshop CS without opening the Camera RAW dialog box.

5. Opening and processing camera raw files in the Camera RAW dialog and either saving them or opening them in Photoshop CS for further processing.

6. Automating the processing of a batch of camera raw files and saving them in a Photoshop CS supported file format.

7. Saving adjusted settings for a camera as default settings for that camera for future camera raw files.

8. Saving valuable camera raw files in the Adobe DNG file format that allows you to save both the original camera raw file, Adobe DNG file format and metatags without using sidecar files that can be lost.

As you can see from the image of the Adobe Camera RAW dialog box above, the individual controls over the raw image file that are available, are far more than can be covered in an introductory article, so I will save the descriptions of them for later articles in this series.

Many of the controls, or actually all of them, are also now available in Adobe Lightroom and because Adobe Lightroom is not yet complete (in its feature set), it is difficult at this time to judge the exact relationship that will exist between Adobe Camera RAW, Adobe Bridge, Adobe Lightroom, and Adobe Photoshop CS in the (near) future.

So please excuse me if I make some mistaken assumptions or errors in these software application's relationships while this series is progressing, by the end of June or July we should all be better informed of Adobe's future plans for our Adobe Digital Photography Workflow.


P.S. Please do not get upset if your personal experience and views are different from my own. These opinions are mine exclusively and do not reflect the views or policies of any of the manufacturers mentioned in this article...... George Mann

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see also

Digital post processing & workflow forum
Proud to be a Nikonian
Nikonians Bookshelf 14 - Digital Photography Books
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