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Nikonians Photography Glossary
v1.00 29-Jan-2000
by Nikonian Doug Dever

A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z
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D
Data

Factual piece of information (as measurements or statistics) used as a basis for reasoning, discussion, or calculation. Information output by a sensing device or organ, it includes both useful and irrelevant or redundant pieces of information that must be processed to be meaningful in a decision making process. Information in numerical form that can be digitally transmitted and/or processed. "Don't confuse me with the data, give me information to make decisions".

Daylight Ambient light with a color temperature of 5500K. Direct sunlight on a bright day, at noon time, combined with the reflected light from the sky, produce natural ambient light.
Daylight-Type film A film designed to render a natural, correct color balance when exposed in daylight. 
D chip Relays distance information from a Nikkor or Nikon-D-compatible lens into a Nikon camera body that features 3D Color Matrix Metering, 3D Matrix Metering, and 3D Multi-Sensor Balanced Fill-Flash, body which in turns relays it -after processing it with metering data- to a Nikon speedlight for ultra-precise fill-flash. 
DC (Defocus Control) Unique ability of a Nikkor lens to alter the shape of its out of focus areas, both foreground and background via aberration management, like in the Nikkor 105mm f/2.8D DC AF and 135mm f/2D DC AF. This feature creates splendid boke. When the DC control ring is set to 0, the lens functions as a non-DC lens.
Definition Sharpness of an image (as seen by the clarity of detail) formed by an optical system.
D-Type Lenses Designation used by Nikon Corporation to identify a Nikkor lens that supplies distance to subject information to a Nikon AF camera, most useful for ultra-precise TTL and Balanced TTL flash. AF lenses with a D chip. These Nikkor lenses were introduced in 1992. Among the first were the 35-70mm f/2.8D AF and 80-200mm f/2.8D ED AF. Nikkor G-Type lenses are D-Type lenses too.
Darkcloth

Dark material used to cover the photographer's head and the ground-glass-viewing screen on large format cameras.

Darkroom "Dark," light-tight space for processing and printing photographic materials.
Darkslide

Thin, flat piece of metal or plastic, which protects unprocessed film from light exposure.

Dedicated Flash Electronic flash designed to work with the meter and exposure system of a specific camera.
Density The amount or "density" of silver on an exposed and processed piece of film.
Depth of Field (DOF)

The distance between the farthest and nearest points which are in focus. This can also be identified as the zone of acceptable sharpness in front of and behind the subject, to which the lens is focused on. DOF varies according to numerous factors such as lens focal length, aperture, shooting distance, etc.

Depth of Field Preview Button When actioned, it closes down the aperture of an auto lens to that of the selected exposure, allowing (a darkened) view of the depth of field through the viewfinder.
Developer Chemical that converts silver on film to visible, black image.
Diaphragm Another word for aperture. Can also be a type of shutter. Refer to Leaf Shutter.
Diffraction Bounced light. Light "refracts" off opaque materials softening and blurring an image.
Diffuser Material that softens and "diffuses" light in order to soften the edges in an image.
Digital A device or system which can be stored and processed, where the use and representation of on/off impulses translates into 0/1 data called bits.  
Digital Camera A camera that captures an image through the lens but instead of on film, it does it on an an electronic image sensor, a CCD (Charged Coupled Device); then temporarily transferred into a FlashCard™ for eventual download into a computer.   
Digitization Transformation of analog data into digital data for computer storage and processing.
DIN Stands for Deutsches Institut für Normung, the German Institute for Standardization. Founded in 1917, since 1975 it has been recognized by the German government as the national standards body and represents German interests at international and European standards circles. DIN is a logarithmic expression while ASA is an arithmetic one. An ISO 100 film has a DIN rating of 21; an ISO 200 film has a DIN rating of 24. The DIN number is equal to 10 times log ISO + 1 and the ISO number is equal to antilog of (DIN - 1 divided by 10), e.g. for ISO 200, log 200 equals 2.3, times 10 = 23, 23 + 1 = 24 DIN
Diopter An optical unit of measure of the refractive power of a lens, the reciprocal of its focal length.
Disc An optical storage device. e.g. a CD-ROM.
Disk A magnetic storage device. e.g. a computer hard disk 
Dispersion Where light rays deviate by different wavelengths, causing a light spectrum, or rainbow.
Distance Information As provided by the D chip on D-type lenses, relayed to the camera for processing for ultra-precise speedlight exposures on AF Nikon auto bodies.
Distortion

Where straight lines are not rendered perfectly straight in a photograph. Two types of distortion exist: barrel and pincushion.

Dodging Selectively lightening part of a photo, either on an enlarger for traditional film printing or with an image editing program. The opposite to "Burning".
Download Or downloading, the process of transferring computer data from one location to another, as examples: files from Internet into a computer, or digital images from the camera's memory card into a computer.  
DPI Dots per Inch. As applicable to the resolution of a printer, the number of dots it can print per inch. Erroneously it is also applied to scanners and digital cameras instead of PPI (Pixels Per Inch), as if a dot would be equivalent to a pixel. The higher the number, the higher the resolution.
DX Coding Type of bar coding on film cartridges used to electronically communicate film speed to a  camera with reading contacts for it.
DX lenses Introduced in 2003. Nikkor G, slightly lighter and smaller lenses, designed to fill the smaller frame of the DX (APS-C) Format sensor size used in the Nikon Digital series SLR cameras. The first was the AF-S DX 12-24mm f/4G IF-ED. Ideal for landscape photographers.
Dynamic AF Nikon advanced feature mode, intended to be used with Continuous (C) Servo AF and Continuous film advance for tracking moving subjects in advanced camera models. As soon as you half depress the shutter release button the AF locks onto the subject within the primary (pre-selected) focusing area. Even if the subject moves out of the selected focusing area, the AF will continue to lock on it as the nearest focusing area takes over since the camera has been not just focusing but also computing the subject's speed and motion direction. Even if the subject gets obscured by some other object, the F5 will not loose track as it is anticipating the subject's location. This feature has been rated to follow up to 20mm per second across the film plane, the equivalent of this with a 300mm lens is a subject moving at 300 kmph (186.5 mph) up to a distance of approximately 20 meters (61 feet). As Gunther Richter wrote in the Magic Lantern Guide for the F5: "Now, try that with any other camera!"
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E
ED (Extra Low Dispersion) Glass

A glass developed and trademarked by Nikon Corporation, used in telephoto lenses to offer superior sharpness and color correction by minimizing chromatic aberration. These lenses are resistant to temperature changes, preventing focus shift problems in lenses that use calcium fluorite crystal elements. Fluorite cracks easily and is sensitive to temperature changes that can adversely affect focusing by altering the lens’ refractive index. Super ED glass is a new type, used together with ED glass in some lenses achieves an even higher degree of freedom from chromatic aberration.

ED lens A Nikkor lens having at least one ED element in its optical formula, improving sharpness.
Emulsion The light sensitive, chemically active surface on photographic film and paper.
Enlargement A photographic print made by "enlarging" an image from a piece of film.
EV Exposure Value. A number representing equivalent shutter speeds and lens apertures combinations for the same exposure, given a scene brightness. At ISO 100, 0 represents (f/1.0 at 1 sec); 1 = (f/1.4 at 1 sec) or (f/1.0 at 1/2 sec); 2 = (f/2.0 at 1 sec) or (f/1.4 at 1/2 sec) or (f/1.0 at 1/4 sec) and so on. For a fixed aperture, as the EV increases 1, the shutter speed increases one step; for fixed shutters speeds, as the EV increases 1, aperture decreases one f/stop. Long exposures are for (or have) negative EV. A light meter sensitivity is usually defined as having the capacity to read an EV range for a given ISO speed. 
EXIF Exchangeable Image File: the file format used by most digital cameras. For example, when a typical camera is set to record a JPEG, it’s actually recording an EXIF file that uses JPEG compression to compress the photo data within the file.
Exposure

The amount of light that reaches a film frame or a digital sensor or the combination of f-stop (light intensity) and shutter speed (duration) that controls the amount of light reaching the film or sensor. Also used to describe an exposed piece of film.

Exposure Compensation Deliberately changing the exposure settings recommended by a light meter in order to obtain a different exposure to better fit personal preferences, create special effects or meet special requirements.
Exposure Factor A multiplier for the exposure increase required when the light reaching the film is decreased from either increasing the distance between the lens and the film (as with extension tubes and bellows) or when a filter is attached. Users with cameras with TTL meters need not to be concerned about correction for filters. 
Extension Rings Rings used to extend the distance between lens and film/sensor for macro or close-up work (One or several for various magnification ratios). Current Nikon extension rings are the PK11A (8mm), PK12A (14mm), PK13A (27.5mm). Sometimes also called Extension Tubes.
External Flash A supplementary flash unit (speedlight) that connects to the camera via the hotshoe or a cable, or is triggered by the light from the camera’s internal built-in flash. For fun, creative effects and better lighting, usually with longer reach than a built-in unit.
Eyepiece Correction Lens Attaches to the viewfinder eyepiece to correct for eyesight deficiencies. High-end cameras have a built-in diopter correction. 
Eyepiece magnifier An optical device that attaches to the eyepiece for increased magnification; useful for close-up or macro work and/or when manual focusing for fine detail is chosen. 
Eyepiece shutter A blind that blocks the eyepiece to prevent light to come into the viewfinder, altering correct measurements of the light meter when using the self-timer or at any time when the photographer is not there to block such light.
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F
Fast Film A film with high sensitivity to light, needing less light for proper exposure. Recommended for action and low-light light photography. Term normally applied to films with ISO 400 and higher.
Fast Lens A lens with a maximum wide aperture (f/1.4, f/2, f/2.8) allowing it to gather more light than a "slow lens" which has a less wide maximum aperture (f/3.5, f/4 and smaller). 
File Format A program or data file type such as JPEG, PSD, TIFF, PDF, PICT, EPS
Film

Photosensitive material used in a camera to record an image. Made from a thin, transparent base coated with light sensitive chemicals.

Film/Frame Advance Mode Found in cameras with a built-in motor drive. It is Single-frame when a single frame is advanced, one at the time, each time the shutter is released. It is Continuous-framing when the film/sensor frame continuously advances as long as the shutter button is depressed, taking pictures until the button is not any longer depressed or the film roll reaches its end or the digital camera buffer is full, or the memory card is full.
Fill-Flash Flash that is used to supplement ambient light to fill shadow areas in a subject with light, thereby reducing contrast. Technique also known as “flash fill” and “fill-in flash.” To make it look natural, Nikon offers Automatic Balanced Fill-Flash, where ambient light and flash light are in complete balance.
Filter

Transparent lens attachment used to modify the light coming into a lens, to change the color, or other characteristics of an image. They are used both on the camera and in the darkroom.

Filter Adapter Ring Used to accommodate larger diameter filters on a smaller diameter lens. Also known as step-up rings. Useful to reduce the number of filter sets needed when using different diameter lenses.
FireWire® Fast data transfer bus developed by Apple, capable of transmitting data at 400Mbps, also known as IEEE 1394.
Fisheye Lens

Super wide angle lens. Angle of view can approach 180 degrees. Nearly infinite depth-of-field.

Fixed Focal Length

A camera with a non-removable, non-zoom lens with unchangeable focal length. 
A prime lens.

Flare

Reflected light; from lens elements, sun, metal, etc. Appears as non-uniform haze or bright spots on the film or digital frame, often taking the shape of the aperture, generally caused from shooting towards the light source. The use of uncoated filters makes a lens more prone to flare; often results in an overall reduction of image contrast. The always-on use of a lens shade is also recommended.

Flash

Artificial light source. Usually camera-mounted speedlights (like the SB-28, SB-80DX) but also larger studio models called strobes.

Flash Bracketing Feature available in TTL Auto Flash shooting, allowing for bracketed exposures varying flash output without changing aperture nor shutter speed.
Flash Card Memory device capable of holding data after the system is turned off.
Flash Compensation A control on a speedlight and a method to reduce or augment the flash output from a flash to lighten or darken the flash effect.
Flash Duration The duration of a flash burst from a speedlight, used to vary flash output, typically from 1/1000 to 1/20,000 of a second in contemporary units under auto flash modes.
Flash Range The distance range within which a flash is capable of rendering well illuminated subjects for proper exposure. The range is a function of both the maximum and minimum flash output capability of the unit and the aperture selected, whether automatically or manually, in turn also affected by the ISO speed in use. 
Flash Sync (Synchronization)

The shutter speed that corresponds to the proper timing of the flash. Any faster and the shutter won't be open for the duration of the flash. Any shorter and subject movement might cause blur.

Flexible Program A function enabling the possible change of equivalent correct exposure values under Programmed Auto Exposure Mode, to either increase/decrease shutter speed or aperture.
Flood Lamp Photo lamps used for wider areas. The industry standards are of a color temperature of around 3400K, and cooler lamps with a temperature around 3200K.  
F Numbers Numbers on the outside of the lens corresponding to the aperture opening. The larger the number (e.g., f/22 also expressed as F 22), the smaller the opening of the lens; the smaller the number (e.g., f/2.8) the larger the opening of the lens.
Focal Length

The distance between the back lens element and the focal plane. In 35mm format, lenses with a focal length of approximately 50mm are called normal (standard), lenses with approximately 35mm or less are called wide-angle, and lenses with a focal length of more than approximately 70mm are called telephoto lenses.

Focal Plane The area of the camera where the lens focuses on the film or digital sensor.
Focal Plane Shutter A shutter placed just off the surface of the focal plane. Typical shutter type for 35mm SLR cameras.
Focal Point

The point on the optical axis where light rays form a sharp image of a subject. An ideal lens would allow light rays to diverge from a subject parallel to the optical axis and converge to a point when they pass through the lens.

Focus

To move the lens, or film or digital sensor, in relation to the focal plane in order to record a sharp image on the film/sensor. (Can't forget Contax where the film actually moves for AF operation versus the lens.)

Focus Mode

Three basic types of focus modes exist for Nikon AF cameras: Single servo AF (S), Continuous servo AF (C) and Manual AF (M).

Focus Priority A mode where the shutter cannot be released until the subject is in focus, as when using Single servo AF (S).
Focusing Screen

Refers to Ground Glass. Usually on large format cameras, a piece of frosted glass at the focal plane where the lens projects an image that can be used for focusing and composition.

Focusing Stage A camera mount that allows it to slide along a rail for critical macro photography focusing. Like the Nikon PG-2. Use it on a solid tripod. 
Focus Tracking

Advanced feature through which a camera's microprocessor (computer) analyzes a moving subject's speed, anticipates the position of the subject at the exact moment of exposure, and focuses the lens based on this information.

Foreground The area before the subject, in between the camera and the subject.
Format

Can mean either the size of the camera or the size of the film or sensor. For camera, sizes there are APS, 35mm, medium and large format. For film format there is APS, 35mm, 645, 6x6, 6x7, 6x9, 4x5, 5x7, 8x10, etc. In digital photography, DX, 35mm size, 645 and 6x6.

f-Number A scale used to express the relative area of the aperture of a lens, simply the result of dividing the focal length of a lens by the effective aperture of the lens opening (the apparent size of the diaphragm seen from the front of the lens). The f-number increases by the multiple of the square root of 2, or 1.4142, from 1.0, 1.4, 2.8, 4, 5.6, 8, 11 and so on, allowing each to pass half the light of the aperture below and twice the light of the aperture above in the scale.    
FP High Speed Sync Feature allowing for flash photography at sync speeds higher than the maximum sync speed under normal flash use. Accomplished by multiple flash bursts with moderate output, but uniformly on the film or sensor frame as the shutter travels in front of the frame. Recommended for action photography where high shutter speeds are required or for fill-flash images outdoors at wide apertures.
Front Curtain Sync Standard sync mode where the flash fires immediately after the shutter's front curtain begins its travel across the film/sensor plane. The opposite is Rear Curtain Sync.
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G
G-type lenses Nikkor AF-D lenses introduced in 2000. They don't have an aperture ring. Aperture setting is made through a "Sub-Command Dial" on modern auto bodies. G lenses were designed to weight less and be less expensive than their counterparts with an aperture ring. AF bodies without a "Sub-Command Dial" can use G-type lenses in Program and Shutter priority modes only. The first was the 70-300mm f/4-5.6G AF. A G lens, being an AF-D lens, provides Distance information to the camera body.
Gamma The values produced by a monitor from black to white are nonlinear. If you graph the values, they form a curve, not a straight line. Gamma defines the slope of that curve at halfway between black and white. Gamma adjustment compensates for the nonlinear tonal reproduction of output devices such as monitor tubes. Gray Gamma 1.8 matches the default grayscale display of Mac OS computers. Gray Gamma 2.2 matches the default grayscale display of Windows computers.
Gamut The total range of colors produced by a device. A color is said to be "out of gamut" when its position in one device's color space cannot be directly translated into another device's color space. For example, the total range of colors that can be reproduced with ink on coated paper is greater than that for uncoated newsprint, so the total gamut for uncoated newsprint is said to be smaller than the gamut for coated stock. A typical CMYK gamut is generally smaller than a typical RGB gamut. The most appropriate gamut for Internet display is sRGB.
GIF CompuServe Graphics Image Format. A raster-oriented file type for image sharing across multiple platforms, either 1-bit or 8-bit, rendering from 2 to 256 colors or shades of gray. 
Gradation The tonal contrast range of an image. Also the range of light and dark tones in a scene that a film or digital sensor is capable of registering, and gradual changing of one tint or shade into another in very small degrees.  
Grade

Refers to the contrast rating of black and white enlargement papers. Zero is the lowest contrast and 5 is the maximum contrast.

Graduated Filter Or “Gradated” Filter. A filter that is not uniformly dense, but that gradually changes its density across the filter’s field. A Graduated neutral density filter is clear from one edge to approximately the middle of the filter, then gradually increase in density towards the opposite edge. Colored gradated filters gradually change color density across the filter’s field. Used to balance the light of a scene with overly bright highlights.
Grain

Exposed and processed silver halides on the film emulsion that turn black and form miniature "grain" that make up the image on a piece of film. The equivalent efect at high ISO in digital photography -which is grainless- is "noise".

Gray Scale An image made up of varying tones of black and white. Grayscale images are distinct from black-and-white images, which in the context of computer imaging are images with only two colors, black and white; grayscale images have many shades of gray in between. The 256 gray levels system divides the gray scale into 256 sections with black at 0 and white at 255.
Ground Glass

Frosted glass used as a viewing mechanism in cameras without prisms. The glass is placed so that the lens projects the image against the glass for focusing and composition purposes.

Guide Number

A number used to describe the output capacity of a flash. Usually measured using an ISO sensitivity or speed of 100. Divided by the distance from flash to subject it yields aperture.

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