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The "Emille" Legend
by J. Ramon Palacios

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» The Divine Bell

The Divine Bell of King Seongdeok, National Treasure No. 29 of South Korea

It was the year 737 of our era, in the Silla Kingdom of the Land of the Morning Calm, when King Gyeongdeok commissioned the grand project of casting a divine bell for the soul of his deceased father, King Seongdeok. However, he could not see the bell completed during his lifetime.

It was King Gyeongdeok's successor, King Hyegong, who finally concluded the bell's manufacture, in the 7th year of his reign, 34 years after its start, in 771 A.D.

© LG News Korea, April 2006

Its casting was plagued with failures and given its specified proportions it needed huge amounts of bronze. So much that it was required to ask for donations throughout the reign. Government officials and Buddhist monks were dispatched to garner collections.


The Legend

The most widely spread version of the legend surrounding this marvel, tells the story of one Buddhist monk visiting a poor farmer woman, who when asked for a donation said laughing, "I only have a daughter to give, if you want her, take her". The monk retired empty handed and saddened by her poverty and disposition.

Meanwhile, casting after casting continued to fail despite the efforts of the best artisans of the land. Desperate, the King summoned a magician to solve the problem once and for all.

The seer declared "The bell requires the sacrifice of a young girl for its completion."

No parents could be found to offer their daughters for such a purpose.

Suddenly the monk recalled the country woman who had sarcastically offered her daughter. He informed the king of the incident, and the king ordered the ill-fated little girl to be brought to him. The child was thrown alive into the hot molten bronze in the furnace from where the bell emerged - a perfect creation.

The bell's sound reverberated around the land, but though its sound was both rich and sweet, the people felt sad when hearing it. Someone in the crowd said, "It sounds like emille (which is the Silla word for 'mother'), emille ... emille ..." From that time on, people called the bell the "Emille" Bell.

What is remarkable and most astonishing is how the Silla people could cast such a large bell in such a precise way without any modern tools, using the lost wax process brought from ancient India. The bell measures 10 feet or 3.3m in height and 6.9 feet or 2.27m in lip diameter, was cast with 18.9 tons of molten bronze and there are no blowholes, which metallurgy and foundry scientists have declared mysterious, to this date.

Recent research on the Emille Bell has yielded the fact that the bell had been designed in such a way as to be heard evenly from all directions and its reverberations linger for some three minutes, a longer linger time than any other bells of the world.

Researchers have tried numerous times to replicate the bell with modern casting methods and the casting technique remains a subject of further studies.

Even if one does not believe that the sound of a Korean temple bell can soothe a savage beast ... even if one does not give credit to the poignant legends that surround them ... one can scarcely remain impervious to the graceful lines and the haunting tones of the old bronze bells of Korea, and specially to those from Emille*


Those graceful contour lines inspired Markins design of the casing for the Q3 Emille Ball Head. Its performance is certainly a reminder of perfection.

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*Sources and references:
Encyclopedia Britanica - History of Korea
Yonhap News World Services, Korea
Gyeongju National Museum, Korea
LG News Korea, April 23, 2006

   
see also

Tripods, Heads & Camera Support forum
The Markins Ball Heads Review
Markins Europe
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Markins Asia
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