| The
Arca-Swiss
B1 Monoball head
by Ed Alban
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|
ONE
"L" OF A BRACKET
An
"L" bracket allows you to switch the camera from
horizontal into vertical position without tilting the ballhead.
It is an L-shaped piece of metal which has body plates
that will slide into the head’s quick-release (QR) clamp on
both of its horizontal and vertical arms.
Simply slide the bracket into the clamp using either
of the two plates to achieve the orientation you need.
|
|
| Kirk's
BL-F5 "L" bracket for Nikon F5 |
If
you have multiple bodies and you see yourself using an L-bracket
on all of them, it makes more economic sense to buy a generic
L-bracket, one that will fit any camera body and that will
fit on your Arca-style QR clamp.
If
you have only one camera body, you are then better off getting
an L-bracket made specifically for that body, since the benefits
are many. They're lighter, and fit more snugly to the contours
of the camera. You are also 100% sure no feature of your camera
will be compromised by the L-structure.
Kirk Enterprises and Really Right Stuff manufacture
L-brackets for most late-model Nikon cameras.
Of
course, if Kirk or RRS does not make a custom L-bracket for
your camera (such as for my F4 and FM2), a generic L-bracket
from these two companies would be the solution.
Here are the differences between these "generic"
L-brackets:
| The
Kirk generic versions are the BL-1 (long) and BL-2 (short):
|

Kirk
BL-1
|
| - |
lighter
at 5 oz |
. |
| - |
less
expensive by about $70 USD |
| - |
made
up of two pieces of aluminum joined together |
| - |
attaches
to the camera’s QR body plate by a bolt, so it’s a little
less convenient when attaching or detaching from the
camera |
| - |
comes
in 2 versions, short and long |
| - |
the
L-bracket slides into the QR clamp from left-to-right
(as normally done, i.e. perpendicular to the lens axis)
|
| The
RRS generic version is the B16 converter clamp: |
 |
| - |
heavier
at 14 oz |
. |
| - |
milled
from a single piece of aluminum |
. |
| - |
comes
with its own QR clamp. You attach your camera’s QR
body plate onto the QR clamp on the L-bracket as you
would on the ballhead’s QR clamp, making it very convenient
to attach and detach from the camera |
... |
| - |
the
L-bracket slides into the QR clamp back-to-front (i.e.
parallel to lens axis). |
|
This
has one big advantage in that if you're working with macro,
this orientation can serve as a "coarse" focusing
stage. This is the reason why the RRS version is called a
"converter" because it changes the orientation of
the plates. |