| The
Arca-Swiss
B1 Monoball head
by Ed Alban
tell
a friend about this article
|
GLANCING
BACK AT MY PREVIOUS 3-WAY TRIPOD HEAD
Before going into the actual usage of the Arca-Swiss
B1, let me take a nostalgic look at the Bogen 3047 (Manfrotto
029), the perennial favorite when it comes to 3-way pan heads.
It's popularity is partly due to the head’s very good
design and (I believe) to its mention in John Shaw’s book
“Closeups in Nature”. The
3047 had been my tripod head since 1987.
|
|
| Bogen
3047 (Manfrotto 029) 3-Way tripod head |
Before
that, I had a Bogen 3025. The 3025 (Manfrotto 056) was
a small light head that I rarely used because for me it was
hard to use, period. It also did not have a quick-release
mechanism and instead of buying the 3299 slim quick release
adapter with plate (Manfrotto 323), I gave up on it after
a few months, exchanging it for a 3047.
FEATURES
The
Bogen 3047 is one of Bogen’s more upscale designs. It
has three large handles to control independent tilting, leveling
and panning. That means you can vary the amount of movement
in one direction without affecting the setup of the other
two. This allows for very precise camera control and
the long handles do ensure you have that precision control.
I find that this type of head lends itself very well to very
tight framing of stationary objects. Macro is one good
application for it.
The
three handles are removable for storage and travel, they just
need unscrewing. My
version of the 3047 is the older type where the handles are
leaner and longer than the new shorter and fatter versions
you see today.
The length of these three handles allow for easy gripping
and maneuverability.
The head has built-in bubble levels for both tilt and
level orientation. Honestly,
I can count on my one hand the times I’ve used these levels,
but many people find them useful.
| Bogen’s
quick-release method employs the fixed-cavity type. The Bogen’s 3049 (Manfrotto 030-14) proprietary hexagonal plate
fits into this fixed cavity and I am not aware of any
third-party manufacturer for these plates.
Using their quick-release is very easy.
Simply cock the lever, slide two sides of the
hex plate under two lips (Bogen calls them “bosses”)
on the head, push the camera down so that the plate
locks into the cavity and a satisfying “click” is heard.
The lever should snap back to its closed position
and voila, you’re ready to take a picture.
To remove the camera from the head, just flip
the lever out and the plate is free. One of the quickest quick-releases indeed! |
. |

|
DISADVANTAGES
Over
the 15 years I’ve used it, I have found a few quirks with
my 3047. Some of them can be fatally dangerous to your
camera and lens if unaware or careless.
-
When
mounting the camera and plate to the head, ensure that
the two sides of the hex plate slide under the two lips
on the head. If
they don’t, the plate won’t be held captive.
There were many times I have heard that satisfying
“click” of the lever snapping shut only to find my camera
loose atop the plate.
Shudder. I now have the habit of jiggling the camera a little to
ensure the plate is solidly seated within the head’s cavity.
-
There
is no anti-twist mechanism on the 3049 hexagonal plate.
For that you need the 3267 (Manfrotto 030ARCH-14)
architectural alignment mounting plate.
Mine has a cork-like material atop the plate, which
Bogen claims to be a “friction” surface, whatever that
means. It
is certainly not anti-slip if not very very tight.
It can be quite frustrating to have carefully composed
your shot and have it ruined by an accidental nudge that
moves your lens a few degrees off kilter.
As well, vertical shots can be problematic with
heavy lenses. My 105 AF-micro is not a very heavy lens,
but when I tilt the head to vertical, the lens slightly
droops because the weight of the lens makes the camera
twist on the plate.
Due to this, I rarely leave the camera on the tripod
and walk with it slung on my shoulder as I have seen many
people do.
-
The
three long handles can catch onto the most absurd things.
Better watch it when traveling.
I’ve had heads (human) knocked with it; I had it
caught in other people’s collars, a woman’s hair, or another
guy’s backpack, etc. Personally, I have had a couple of my front shirt
pockets ripped by the back handle.
Apparently, when I’m composing low-angle shots
and looking in the viewfinder, it dips into my shirt pocket
without my knowing.
Ergo, the pocket rips as I stand up.
If my hand were not on the camera, the whole rig
would have toppled forward.
-
The
head itself is heavy at 3.3 lbs (1.5Kg) and gets heavier
on a long day of shooting.
-
The
hex plate cannot be left on the camera for storage.
The whole underside is about 1 inch deep due to
the main screw and huge locking knob around it.
I once left it on overnight in my bag and the plate
made a huge indentation on the bag pads.
Some bags might not even accommodate the extra
height it gives the camera.
I know my F4s won’t fit into my Mini-Trekker with
the hex plate on.
-
The
hex plate can dig into your chest as you walk around with
the camera and strap around your neck.
There’s no way around this problem except to take
the plate off or sling the camera on one shoulder.
Hex plates do have six sides and six points!
Due to the orientation of the head’s fixed cavity,
the plate has to be positioned on the camera so that one
of the six points would dig into your sternum, if you
decide to carry it around your neck.
-
The
3-way action can be too slow for some type of photography.
There are many times I have loosened two handles
at the same time to speed up my framing.
I have actually gotten quite good at it.
Mind you, it is not without its pitfalls.
There are also many times I have forgotten to tighten
one or the other handle!
Only quick reflexes prevented the camera from flopping
over.
Nevertheless,
aware of its faults, it served me well for over 15 years,
at a most affordable price. |