The 85mm f/2.8D PC Micro Nikkor
by
Roger Eritja
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SHIFT AND TILT BASICS
Shift in a lens,
means a displacement of it, maintaining its optical plane
parallel to that of the film or digital sensor; it moves the
lens axis away from that of the image frame; hence its name,
shifting. It is useful to change the relative position of
the subject(s), without moving the camera, and to correct
perspectives.
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Lens
shift (Illustrations courtesy of Nikon Spain / Finicon,
S.A.
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Tilt changes the
incident angle of the image on the film or digital sensor,
by rotating the lens. It has an effect on the depth of field,
extending the focused plane, not parallel to the film or sensor
anymore.
According to the Scheimpflug
principle, a sharp image occurs where the focusing or
subject plane, the lens optical plane and that of the film/sensor
intersect. It is easy to comprehend the importance of this
principle remembering that, at macro photography under ambient
light, one seems to never have enough depth of field and light
looks like seldom sufficient for closing down the lens while
maintaining reasonable shutter speeds. So with this capability,
photographers can now focus on butterflies without having
to be parallel to their bodies or closing the lens down to
its smallest aperture.
Both shift and tilt can be performed
in all directions and be combined.
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Obviously the lens requires to be
of a special design, and not just mechanically. The
circle of the projected image must be much bigger than
that to normally cover the film or digital sensor format,
since the corners or margins will be used, where light
fall and optical aberrations are more noticeable.
This explains why these lenses need
to be and are ultra-corrected.
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