The Nikkormat FT3
by
Mike Graham

Username
Merlin
Nikonian in Germany
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THE PROFESSIONAL'S SECOND CHOICE
This
was the latest and greatest of all the Nikkormat models, aimed
at those serious amateurs and professionals not wanting to spend
the money on a second F2.
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Merlin's
Nikkormat FT3 body |
It's
1977. Nikon's flagship is still the F2A, not long ago the new
generation of AI-Nikkor lenses made the previous claw-type obsolete
but still useable. If you were looking for a second Nikon
body, you had a choice between two cameras - an expensive F2,
or the Nikkormat. That was it! The FM, FE, FG, EM and company
were still on the drawing board, and why change a winning design?
They sold like hot pancakes, and there are plenty of good ones
around today.
What
do you get with this back-to-basics SLR? Assuming you're a fan
of heavy metal shooting irons - and I guess if you weren't,
you wouldn't be here - the Nikkormat FT3 offers a pleasant mixture
of professional features in a rock-solid and beautifully finished
body, with just a few, forgivable quirks!
You
get a simple matched needle meter that, oddly, works upside
down... more light sends the needle down, not up! The shutter
speed is visible in your clear and uncluttered viewfinder, and
a split-image K screen does a handy job of helping you focus
on sharp lines. Nikon, for reasons better known to themselves,
retained their strange shutter speed ring around the lens throat
from the previous Nikkormats - a mixed blessing. Unlike the
Olympus OM models of the era, the Nikkormat's shutter ring is
an awkward affair with only a single lever to operate it. With
the ring over the 1/15th position, you won't be able to remove
the lens because the lever blocks the lens release button. Changing
the ASA setting is a bit of a fiddle, involving pulling up on
the speed ring lever and sliding a scale around. Check for broken
fingernails when you're done...
On
the plus side, the Nikkormat FT3 gives you that built-for-ever
feeling when you use it. Unlike its pricier stablemate, the
F2, the shutter travels vertically, giving you a flash synch
speed of a full 1/125th - a boon for outdoor fill situations.
As you squeeze the shot off slowly, you actually feel two little
clicks before the shutter releases. In spite of the satisfying
clunk, there's very little vibration. If you're working on a
tripod, you'll appreciate the extra meter readout on the top
panel. For close up work, and other technical applications,
the mirror can be locked up to eliminate vibration.
The
quality of finish - mine is a chrome model - is exemplary. The
Nikkormat goes back to the days - long gone - before robots
took over camera production, and counts in my book as a hand
built camera. About twenty skilled technicians assembled
each Nikkormat a stage at a time, and the quality control people
actually held the finished cameras in their hands and fired
off test shots as well as fitting lenses and manually checking
focus, shutter speeds and so on. Nothing left the Nikon
factory unless it was truly worthy of the name. This fanatical
attention to detail, and the superb construction quality explains
why so many Nikkormats are still in regular use today. The bayonet
is stainless steel, and you'll find a tiny button at the top
which will let you disengage the AI-metering key, letting you
use your older Nikon lenses in stopped-down mode.
As
a learner's camera, this final version of the FT-series Nikkormat
is unbeatable. The meter is center-weighted, about 60-40 towards
the middle, and very accurate and easy to work with. Moving
the wind lever to its stand-off position turns the meter on.
With practice, you can operate the Nikkormat by feel alone,
two fingers on your left hand driving the shutter speed, aperture
and focusing rings leaving your right hand free to wind film
and shoot. The depth of field preview - an immensely valuable
feature disappearing rapidly on modern cameras - is right next
to the shutter button in a position that's painless to operate
without inducing carpal tunnel syndrome.
In
spite of its odd ergonomics, the Nikkormat FT3 is a very enjoyable
camera to use. Virtually unbreakable even under heavy
use, it'll last you forever unless you actually throw
it around or use it to drive tent pegs in. A bonus - the meter
takes a 1.5volt button battery, available everywhere, unlike
the previous models that needed the outlawed 1.3 volt mercury
cells. As with all older cameras, keep an eye on the foam rubber
mirror pad and the light seals on the back - if you see any
signs of deterioration replace them sooner rather than later.
Bottom
line? This is a classic, hand built Nikon mechanical camera.
Phrases like "planned obsolescence" hadn't reached the dictionaries
back then, this camera was planned to last a lifetime. If you
buy one, don't keep it in a glass cabinet - it was meant
to be used!
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