A Nikonians product review

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The Nikon F5
by Bo Stahlbrandt

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  Introduction
  Why is the F5 interesting for amateur use
  You don't brake a shoulder
  Metal & rubber - the handling in general
  The controls - the handling in detail
  The command dials
  The silly push buttons
  The mechanical ones
  The LC-Displays
» The autofocus
  The exposure metering system
  Power needs power
  Film transportation

The autofocus

The autofocus is one of the F5's really bright sides. The F5's AF is very fast and precise, even in low-light situations and even so without any help of nervously blinking IR LED's on Nikon Speedlights.

The module responsible for the magic is called "CAM1300", where "1300" is roughly the number of CCD-elements used in the module (there are actually over 1,300 CCD elements in the CAM1300). The CAM1300 is split upon three separate chips where all the CCD elements are divided upon five sensors (small printed circuit boards, or PCB's).

Christmas market in Villingen. Click for 1024 x 768

Christmas market in the city of Villingen, southern Germany. December 1999.
Nikon F5, Nikkor AF 50mm/1.4 on Fujichrome Provia
100F.

Let's have a closer look at how this work
These five sensors are located in a cross arrangement, where one, the largest sensor is located in the center having four sensors surrounding it. You could probably write a book about how these sensors and the electronics behind work, but let's keep it short.

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The sensors cover the central area of the view. This is then approx. the circle you see if you look through the viewfinder using the standard focusing screen EC-B, an area of some 16 x 7,1mm (W x H). There are a total of 13 interchangeable screens available for the F5 . The EC-B screen comes with a transparent LCD, so actually the standard F5 has four LCD's: The main on top, the rear, the one at the bottom of the viewfinder and the transparent one in the screen. There are four small squares located around the middle square on nearly all screens. This is also the case on the EC-B screen. The squares then correspond to the location of the focus areas (the five sensors).

The sensors can be divided into the following three types:

Line sensor. The two sensors responsible for the top and bottom metering areas are of this type.

Small double cross sensor. The left and right metering areas each uses a sensor of this type.

Large double cross sensor. The central metering area uses a single sensor of this type.

The top line sensor is slightly tilted from left to right. The right and left double cross sensors are both tilted inwards.The lower line sensor and the central double cross sensor are not tilted. The sensor tilt was done to improve the measure-accuracy independently of the viewed object's form.

The three double cross sensors are really interesting. Each sensor consists of two overlapping crosses arranged with a slight offset. One cross has thin arms whereas the other cross has wider arms. The "thin cross" is used for rapid focus detection when there's lots of light available, whereas the "wide cross" is used in low light situations. The length of each arm used for detection is also depending on the light conditions, i.e. the utilized number of sensors in the cross arrangement is light dependent. In good light conditions, a bit less than the full cross size is used, whereas in low light conditions more, or all of the sensors in the cross are used. Ignoring some of the sensors available improves autofocus speed. All sensors are used in "Dynamic AF".

This great system provides accurate autofocus detection in the range of EV -1 to EV +19 at ISO 100. This means that it still can focus correctly with no IR help even when your own eyes have a hard time seeing the finer details through the viewfinder.

Combining this smart arrangement of sensors with a fast, coreless DC motor, and you got the AF you've been looking for.

The AF modes
There are two basic AF modes in the F5:

1. Single (S) servo AF
2. Continuous (C) servo AF

You select the desired mode using the focus mode selector located at the lower left front. You can of course select manual (M) focus mode using this switch too, but if you have modern AF lenses, I guess you won't use that mode much - if ever.

A small note on using S or C AF modes: You shouldn't try to manually adjust the focus using the focus ring on any lens not being of AF-S type. You can move the focus ring lens in these modes on a non AF-S lens, but I don't think the coreless DC-motor driving the lens will be too happy about it.

There are three LED's in the viewfinder, indicating focus status: two red colored, arrow formed LED's, indicating that the current focus is either in front of or behind the object (i.e. the servo still runs) and a green colored round LED which lights up when the object is in focus. I've found out that I seldom look at these LED's, but rather at the object itself. Since the focusing is so fast, the two red colored LED's are of no interest anyway.

Single servo AF
First of all, in this mode the F5 treats stationary and moving objects differently.

By slightly pressing down the shutter release button, the AF servo is activated and the F5 tries to find the correct focus. You can also start the AF servo by pressing down one of the two AF-ON buttons at the back of the F5. I never use these buttons. You can disable AF start through the shutter release button by activating CS #4. This would then be a real reason for using one of the AF-ON buttons.

If the object is stationary right about the time the F5 tries to achieve the focus lock, the focus is locked and the F5 stays in Single servo AF mode. Keeping the shutter release button pressed and the focus remains unchanged, even if you move the camera. This is then the major difference between Single (S) servo AF and Continuous (C) servo AF mode.

If the object is detected as moving, before the focus lock has been established, the F5 will temporarily switch over to Continuous servo AF mode as long as the object is moving. If the object stops, the focus locks and the C mode is abandoned. You must then let go and repress the shutter release button to start a new focus hunt. This behavior is basically a good thing. There are times though when you might wish the F5 wouldn't do this magic, i.e. temporarily switching over to C mode, and this may be the case if you're using the F5 handheld with a tele lens; rather than letting you get a focus lock and shoot, the F5 is fooled to believe that your slight lens movements equals a moving object and it nervously hunts for a lock.

So, the default behavior in S mode is not to allow you to take a shot as long as the first targeted object is out of focus. This is called Focus-Priority. You can change this with CS #2. Activating this CS and you can shoot no matter if the F5 still tries to detect the focus or not. This is then called Release-Priority. I don't have the CS #2 activated, i.e. I am using the S mode with Focus-Priority.

Continuous servo AF
In this mode, the F5 doesn't lock the focus when you gently push the shutter release button and keep it pressed, but rather it hunts the focus. The focus hunt in C mode is quite delicate: the F5 continuously calculates the estimated distance to the object at the time of an eventual shutter release based upon:

a) The current distance to the object,
b) the direction in which the object is moving and
c) the current speed of the object.

This means that for the short moment when the F5 is blind, i.e. when the mirror is up, the lens is forced to be in focus on a location where the object should be based upon the parameters a, b and c.

The default behavior in C mode is to let you shoot while the F5 hunts the focus. This wouldn't be an F5 if it didn't allow you to change this behavior too. CS #1 does the trick. Activate CS #1 and you won't be able to shoot while being out of focus in C mode. I have this CS activated, i.e. I am using the C mode with Focus-Priority.

I use both the S and C mode a lot. For stationary objects it's the S and for moving objects it's the C mode (pretty smart of me huh?). As I shoot a lot of landscape, it tends to be a lot of S mode right now - landscapes are slow joggers you know.

Single area AF or dynamic AF mode
The F5 can either use a single or all five focus areas for the AF. In single area AF, you have selected one out of the five available areas (sensors), typically the one in the middle, the center area. This is then the active AF area. In dynamic AF mode, you select one primary area which will be used for the first focus hunt, whereas the others will be used if the object moves. The active area in dynamic AF mode will change according to how the F5 sees the object move.

No matter if you use the F5 in single area AF or dynamic AF mode, you might want to select the active/primary focus area.

Selecting a focus area
I don't use this function, but it might be useful, especially in combination with dynamic AF mode. There's a fairly big, round push button, the "focus area selector" located on the back at the right, made for being operated by the thumb. It has four small arrows on it which you can barely feel. This button can be used for selecting one of the five focus areas (remember, there are 5 focus sensors in the F5).

Typically, the center focus area is selected (the primary area being the center area), but you can use this button to select the center, top, bottom, left or right area. The selected area is displayed on the main LCD and on the EC-B screen in the viewfinder. On the main LCD, the selected area is represented by a single small square while in the viewfinder you'll see one of the five squares being a bit darker (actually getting fatter) - the fatter square represents the primary focus area (sensor). Also, one out of five yellow colored arrow LED's will blink once, indicating which sensor is the active one. This ain't much of any use with the EC-B screen, since it tells you directly which sensor is being the active one - the fat square - but with some other screens, such as the type C and type M (which don't have the "fattening focus area squares"), the arrow LED's are the only indication you will get on which sensor is currently being active.

The big focus area selector is easy to change by accident, such as with the thumb or with the palm of your hand. You typically want to have this button locked. To lock it, you simple press the [L] Lock button (you remember? That's the button hidden by the small "door" at the bottom left back of the camera) while you press the focus area selector once. A new press having the [L] Lock button pressed and the lock is removed. Locked focus area is indicated in the main LCD with a small "LOCK" being displayed over the currently active area.

The dynamic AF mode
This is a cool one. Basically, the F5 will haunt around for the correct focus using one of the five available autofocus sensors. You select this AF mode by pressing down the AF Area mode [+] push button while dialing the MCD one step. Active dynamic AF mode is indicated by five small plus signs in the main (top) LC-Display and where the primary AF area is represented by a squared plus sign. There is no change in the viewfinder when you have the dynamic AF mode activated and the primary area has the "fat square".

In this mode, all five sensors are active. This mode is made for capturing moving objects and where you have the AF in continuous (C) mode and probably the film advance set to Ch (continuous high speed, 8fps with the MN-30 accumulator pack).

If the object in the viewfinder now moves from the primary area to another focus area, the F5 will automatically adjust the focus. You may not be able to detect that this has happened, except for that the object is still in focus, since the primary area is still marked with the fat square in the viewfinder, even if another area may currently be the active one.

Since the F5 continuously calculates the estimated location of the object in this mode, it will activate a neighboring sensor whenever the object is in the close vicinity of it.

The F5's dynamic AF mode is one of the prides of Nikon. It's about 100% faster than the dynamic AF of the F4 and it is able to track objects having a velocity of up to 20mm/s at the film plane. This equals to an object with a velocity of 300km/h at 20m distance if you're using a 300mm lens!

The F5 is the action photography tool.

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see also
F5 Hands on
F5 Users Group forum
Nikkor AF S 17-35mm/2.8 ED IF
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