What
camera to buy
by J. Ramón Palacios
tell
a friend about this article
|
Medium
format
The
Medium Format became synonymous of quality pictures, with little
effort and at very reasonable prices even for the casual weekender
or occasional shooter, in the days of the TLR or Twin Lens Reflex
which still can be found at reasonable prices. Rolleiflex, Rolleicord
and Yashica Mat are brands and models still worth considering.
Now
days the medium format is dominated by the modern SLR's and prices
have gone up, but it is worth it. The larger
negative size and the superb optics almost guarantee better
pictures - I said almost because the photographer still counts.
They now come in all flavors, fully manual or auto and you can
put on them any dreamable accessory, including good (20 million
pixels) digital backs.
|
Rolleicord
Vb, 1970
.. |
Medium
format SLR Cameras: 645, 6X6 or 6X7
These
are the choice of many pros, at least for studio work. The 645
is a format that lends itself to compose pictures conveniently
to be printed in the standard photo papers 8X10, 11X14, 16X20,
because of its negatives proportions. The argument is being made
that although the 6X6 negative is 33% larger it is seldom used
at all, so it is wasted. This could be truth for full page magazine
advertisements, but from my perspective only in those cases. In
any event, the 6X7 negative would be better, as many professional
photographers practice. A splendid compromise: the classic 6X6.
Status wise? Any of them will give you plenty of status, but if
you purchase one just for that reason, you will soon become tired
of lugging it around.
 |
|
 |
|
The
Classic Hasselblad
|
.. |
Rolleiflex
6001HG
|
The
outstanding image quality of the Carl Zeiss lenses, durable
construction and proven reliability has made it the first
choice among the world's leading photographers for half
a century. The Hasselblad 500 series are mechanical, 6X6
medium format SLR cameras. With interchangeable lenses,
viewfinders, film magazines and a host of other accessories.
Designed for CF lenses with built-in leaf shutter and
flash sync at any shutter speed. The 200 series, like
the 202FA shown above, are the new generation of medium
format cameras, with focal plane shutter and electronically
controlled shutter speeds, designed to work with the large
aperture FE lenses without shutters; they can also use
the CF lenses. They feature TTL/OTF flash metering and
can be equipped with a winder accessory. I own two 500
series bodies and 4 CF lenses, always enjoying, without
ever regretting the high investment, although I am too
lazy to carry them around for regular use, as I do with
my high end 35mm SLRs.
. |
|
This
beauty carries on the Rollei Werke tradition. With a built-in
grip, TTL flash (even with non dedicated units), DOF and
mirror lockup. It also has a built-in motor for 1.7 frames
per second. As the basic 500 series Hasselblad models,
it does not have a meter, but it has motor driven automatic
bracketing in manual mode. Other models worth considering
are the 6001, 6003, 6008 and the 6008e and 6008i. The
Rollei accept over twenty lenses of unparalleled optical
excellence from the leading manufacturers of medium format
optics, Carl Zeiss and Schneider Kreuznach. These cameras
also are fully compatible with an extensive line of accessories.
Rollei is based in Braunschweig, Germany, with its United
States marketing subsidiary located in Secaucus, N.J.
Taking about tradition, Rollei has been designing and
manufacturing cameras and lenses for over 78 years.
The Rolleiflex brand continues to be synonymous with high
level of performance, reliability and value. |
 |
|
 |
|
Mamiya
645E
|
|
Mamiya
645AF
|
The
Mamiyas have now an over 50 year tradition. Mamiya began
making the Mamiya 6 rangefinder and later their famed
Mamiya 7. Today they offer a host of models, either manual,
auto and with optional finders and winders. The compact
645E model is a relatively 'economical' cost-effective
entry into the world of medium format, basically because
its film back is fixed, i.e. not removable. Nevertheless,
it has a meter for aperture priority AE. It also has AE
compensation in 1/3 of f/stop increments, multiple exposure
capability and mirror lockup. Available Mamiya Sekor lenses
range from 24mm to 500mm in focal length. The 645 AF and
the 645 PRO TL are other interesting models as well.ailable
lenses
. |
|
This
model is perhaps the one most resembling a 35mm SLR. It
features: Metal focal plane shutter of max 1/4000 sec.
High flash sync speed of 1/125 sec. Aperture priority,
Shutter priority and full Program AE. A metered manual
mode. Three metering modes: Center weighted average, Spot,
and Auto A-S (Variable ratio). Auto bracketing function
exposes three frames consecutively. The system has 7 new
autofocus AF lenses and 22 manual focus interchangeable
lenses. Both 120 and 220 roll film can be loaded in the
magazines. And to top it, TTL direct flash control system.
Other models worth researching are the RZ67 Pro II, RB67
PRO SD, and the 7 II. For those interested in both film
and digital, there is the newer model 645 AFD. |
 |
|
 |
|
Pentax
645N
|
|
Contax
645
|
The
world's first Pentax 645 established a name for this medium
format since 1984. The 645N model shown here, caused quite
a stir in the marketplace as the next generation of the
first high precision Auto Focus cameras of this format.
It has surprisingly affordable lenses, four exposure modes,
three metering patterns, AE compensation and exposure
bracketing. The newest version is the 645 NII.
. |
|
The
Contax 645 is a stunning machine, with a complete system
of 7 Carl Zeiss T* lenses ranging from a very wide 35mm
f/3.5 Distagon to a rather nice long 350mm f/4 Tele Apotessar,
although the favorite of users seems to remain the 80mm
f/2 Planar. It has the fastest shutter top speed for the
format: 1/4000 sec and syncs at 1/125 sec. |
 |
|
 |
|
Bronica
GS1
|
|
Fujifilm
GA645Zi Professional
|
I
would fail not mentioning the well made Bronica. Shown above
is the newest 6X7 model which also accepts multi format
film backs (6x6, 6x4.5, 35mm, polaroid).
Other models include a 6X6 (SQ-Ai) and a 645 (ETRsi). They
are made and distributed by Tamron. |
|
This
a great point & shoot medium format camera, with AF
and AE capabilities, a Titanium body and a 55-90mm f/4.5-6.9
power zoom lens. Fujifilm has developed also other very
interesting models as well in 6X7, 6X9 and even a panoramic
6X17. |
Other
medium format SLR options include the now rubber armored Exakta
66, Pentacon Six and the Russian Kiev 60
.
 |
Medium
Format Recommendation:
Try
them all, get whatever feels better; you are the one who
is going to live with it. They are ....
- All
very well constructed, the least convenient to carry
and expensive, but
- Give
you the best
possible negatives or slides sizes before going
into view cameras.
- Have
the highest WYSIWYG capability and
- Can
include any automated feature you can dream of, including
Auto Focus, Auto Metering and impressive digital
backs of several
brands.
- If
you are casual photographer, despite all of the advantages
including the glamour and the status, you will soon
get tired of lugging around one of these cameras. You
might be better of with a compact
35mm Point & Shoot.
- If
you are serious about photography but still hate the
added size and weight of the medium format, buy a 35mm
Single Lens Reflex.
- Now,
if you really want to go for the Medium Format, again,
try them all, feel them; if you can, rent one and use
it, check if you are comfortable with it, see the results
and then decide. They are not as popular as the 35mm
format so trading or exchange is less easier. In any
event you are on your way to outstanding
pictures, at least as good as with a high
end 35mm SLR.
|
|