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INTRODUCTION
Digital photography offers certain benefits for thinking photographers
that are only realized with a basic understanding of a metering
feature called the "histogram."
Using
the histogram in your camera's image viewing LCD will guarantee
you a much higher percentage of well exposed images. It is
well worth working to understand the histogram, and is not
overly complicated. I will try to cover this feature with
enough detail to give you a working knowledge of how to use
the histogram to make better pictures. If you are deeply interested
in the histogram, there is much research material available
on the Internet. This article is only covering a small amount
of the information that is actually available, but will present
enough knowledge to improve your technique immediately.
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| Nikon
D2X rear view |
LIGHT
RANGE
A
digital camera sensor can only record a certain range of light
values. Remember how with film the light range was limited
to only a few f/stops of range? With transparency film the
limitation was about 3 or 4 "stops" of light, while
with negative film it could go on out to 5 or 6 stops. Today's
digital sensors seem to be able to record about 5 or so usable
stops of light. Most will agree that the digital camera can
record a little more than transparency film, and a little
less than negative film. This will change, since some digital
cameras are now offering extended range sensors.
Unfortunately,
many of the higher contrast subjects we shoot can contain
over 12-stops of light values. This is quite a bit more than
it is possible to capture with film or a digital sensor today.
It is important to understand how your digital camera records
light, so that you can better control how the image is captured.
Look
at Figure 1 below. The gray rectangular area is a representation
of an in-camera histogram. Examine it carefully! Think about
it for a minute before reading on.

The
histogram basically is a graph that represents the maximum
range of light values your camera can capture, in 256 steps.
(0 = Pure Black, and 255 = Pure White) In the middle of the
histogram are the mid-range values that represent middle colors
like grays, light browns, and greens. The values from just
above zero and just below 255 contain detail.
The
actual histogram graph looks like a mountain peak, or a series
of peaks. The more of a particular color, the taller the peak.
In some cases the graph will be rounder on top, or flattened.
The left side of the histogram represents the maximum dark
values that your camera can record. The right side represents
the maximum white values your camera can capture. On either
end of the histogram the light values contain no detail. They
are either completely black, or completely white. The top
of the histogram (top of mountain peak) represents the number
of different colors, a value you cannot control, so it is
for your information only. We are mostly concerned with the
left and right side values of the histogram, since we do have
much control over those. (Dark vs. Light)
So,
basically, the histogram's left to right directions are related
to the darkness and lightness of the image, while the up and
down directions of the histogram (valleys and peaks) have
to do with color information. I repeated this for emphasis!
The left (dark) to right (light) directions are VERY important
for your image making. If the image is too dark, the histogram
will show that by clipping off the light values on the left,
or, if too light, by clipping on the right. This will become
easier to understand as we look at well exposed and poorly
exposed images.
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