
Morro Bay, US
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The winter season in Yosemite is one revered by all landscape photographers .... an opportunity for solitary immersion in an iconic location that is covered in a snowy blanket not seen by many.
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Yosemite in Winter: A Season of Contrast Thursday, Feb. 25 - Sunday, Feb. 28, 2010 Instructor: Michael A. Mariant
LODGING IN YOSEMITE VALLEY IS INCLUDED IN WORKSHOP FEE!
DEADLINE TO SIGN-UP: JANUARY 15, 2010!!!!
This forum is an opportunity for those interested in the workshop to ask questions, share concerns and learn more about the Yosemite in Winter workshop as well as for workshop participants to discuss planning, preparation and needs for the workshop!

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Long after the vacationing families and day-trippers have made their exodus from the valley, the photographers arrive at the park to relish the open, uncrowded spaces (read: not blocked by happy-snap camera-wielding tourists) to capture scenes of unparalleled beauty, serenity and contrast. Stark gray and white speckled granite, brilliant green-needeled pines and rich-hued redwoods, ice-covered streams and ephemeral waterfalls, snow-blanketed meadows littered with bare oak trees... and all the landmarks that we have grown accustomed to seeing: Half Dome, Clouds Rest, Glacier Point, Sentinel Rock, Cathedral Spires, Bridalveil Falls, Lost Arrow, El Capitan — but yet in a completely different light.
And that is what the Yosemite in Winter workshop is all about.
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Dear Ma, Pa,
Reached Camp Curry at 2 pm. Snow everywhere, Clouds Rest one mass of white, Glacier Point, Half Dome, North Dome and Eagle Peak are holding as much snow as the pitch of their slopes will allow. At Camp Curry ... a large area of the camp is covered with from 6 to 18 inches. I would not have missed this for the world and consider it the finest season I have seen at Yosemite ... the air has more life and snap to it than ever. ... the sky is clear, great clouds of snow are blowing from the heights sometimes obliterating the topmost rocks. At present Half Dome looks like a volcano, and little swirls and eddies of snow dust are quite numerous on the cliffs of Glacier Point. I am going to attempt to photograph these snow clouds tomorrow...
Signed, Ansel Adams, Yosemite, 1920

Dear Ansel,
Today I walked in the woods, and gathered fir and cedar branches that I might send my friends a bit of the fragrance of the mountains. I wish I might also imprison in a box the clear, crisp air and the clouds that hang low, over the Cathdral Rocks at sunset. You would love it here now. It is utterly different from the smiling, placid meadowy place you know. Not only do we lack the tourists and the green grass and trees, but the haze of summer, and the dusty smoky atmosphere of fall. Clear, cold moonlit nights, with the stars as bright as though they had just been polished and hung up and days with blue sky and sunshine on the white-topped cliffs.... Oh, I can not find words for it, Ansel, but there is more the feel of the Minarets in the air. If you ever need a tonic like that in the winter, you will find Yosemite waiting for you and it will be the old Yosemite that we used to know, and can not find in the summer.
Love, Virginia Best Christmas, 1926
(Virginia Best, whose father operated the Best's Studio, soon after married Ansel Adams, and the Best Studio is the longest operating business in Yosemite, today known as the Ansel Adams Gallery.) _________________________________________
Ms. Best said it in words from an era long-gone but describing a scene that has not changed for over 80 years. Winter is Yosemite is a special, magical time. And the Nikonians Academy Yosemite in Winter workshop focuses on guiding participants in capturing this wondrous scene.

As with all my workshops, the four days in Yosemite are equal parts guiding to specific, photographic locations coupled with a strong educational curriculum to help each participant improve their photographic skill-set along with their pre-visualization and composition skills. Each day's locations builds on the previous day's, allowing for continual exercise of new concepts while applying techniques and methods.
This workshop, more so than any other workshop, concentrates on the pre-visualization and composition techniques critical and integral to successful landscape photography. I spend time with each workshop participant to improve their compositional skills and foster that 'photographic eye' to carry-on to future photographic expeditions. It's one thing to see what could be a good photograph; it's another thing to recognize the key elements, couple them together and generate a dynamic and stimulating visual flow that engages and entertains the viewer. And this workshop challenges that approach and provides an opportunity for every participant to accelerate and vastly improve on their compositional techniques.
The workshop also provides an opportunity to photograph a rare and long sought-after natural phenomena in Yosemite. What some consider the 'Holy Grail' of photographic moments is the blazing sunset light on Horsetail Fall, commonly known in photographic circles at 'The Firefall'. The backlit illumination of Horsetail Fall off of El Capitan by the setting sun, which occurs only for only a few days each year in late February, was immortalized by the original 1973 Galen Rowell photo.

All three sunset opportunities of the workshop will be devoted to capturing this elusive visual phenomenon as conditions must be just right for the photographic opportunity to occur. We will utilize different locations in Yosemite Valley to document and create a stunning pictorial of this beautiful event.
Join us in Yosemite this winter for a truly magical, special, enlightening and educational experience!
Feel free to post any messages or questions here in the forum! In the coming months, additional details and FAQs about the workshop will be added in this forum posting in preparation for the workshop.
Cheers, Michael
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