
West of Santa Monica, US
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HI Doc,
If you prefer handy cam video for image stabilization, then take one for video and be happy.
If you are making content driven edits, using video software for some type of published use and not just DVDs to slay the family with during holiday parties then the D7K currently is the HDslr leader of the pack with regard to broadcast level quality.
There are hundreds of HDslr's out right now world wide, being used in concert with and solely, for large scale and small scale film and television productions, commercials, web videos and documentaries etc.
Not sure why or what negatives you allude to however, as Ric stated, see the DSLR forum.
I do hand hold the rig, but prefer a video fluid head and tripod (Not Disney approved no doubt).
With some practice, short takes are then stabilized in Adobe CS5.5's After Effects if these are too shaky and some folks will add camera shake in post so go figure.
Odds are now days, you won't be able to tell a TV commercial shot with a DSLR camera from one shot with a Cine camera, once it's rendered as product.
The value especially, lies with the lens choices one can incorporate into the shoot, expanding the low light capture ability, depth of field and audio synching with a field hand held recorder.
There are some basic rules yes, but I would add to Ric's advice, that if you are leveling your aim to shoot any video on the D7K, then set the thread to read oldest first, and dig in.
Audio, lighting, filters, it's all there.
In that forum, there are no rookie questions left to ask (I think) I should know, I've asked most of them.
Have fun,
Rob
Visit my Nikonians gallery. Visit my Nikonians gallery. Visit my Nikonians gallery.
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